Back to All
Next Project          
臺北王宅

區域脈絡的串聯-還原上海租界的西式文化,透過軟硬體質材與光的關係變化,展呈層次豐富的明透效果。運用最少隔間,將介質降至最低,其餘場域全部通透,流動串聯各領域設計單體,拓展出開闊的活動腹地。
設計維度的和諧-一步一景的節奏,反應設計維度對應此時空地域文化的自明性。
在現代幾何線條的陣列下,形塑立體秩序,分割出機能、活動二者空間前後層次,透過玻璃介質的轉述,再與居者交集相遇,它已不只是設計,已然成為生活文化,演繹個性精神。
光影肌理的意境-垂直水平對話,將其邊界消融,模糊或重疊,並延續媒材接合的既成之肌理,利用活動與機能二者空間的層次轉換,將畸零空間化整為零,且運用光與影的交錯,形、質、色、相間,成做為一種安身立命、生活的容器。
虛實節點的轉化-將環境美感與生活美學的經驗修為,轉化為藝術巧思,且重塑後的區域紋理,使得二元不再對立、多元可以並存。
設計者企圖讓架構、材質與器具相互對話,以虛實寓意涵構的軸線、節點,隱入動線入口,捕捉無形的層次界分,以顯現出空間序列的脈絡。

Linkage of Regional Context.
western culture of Shanghai international settlement is restored; through the relationship change between materials of hardware and light, the transparent effect in multiple layers has been richly created. With the minimized partition, the use of media has been reduced to the minimum level. The rest area has been kept spacious to link single design object in each arena and to present the grandness of the event site.
Harmony of Design Dimension.
With the rhythm of single object, the self-evidence of design dimension responsive to time and spatial culture becomes clear.
Under the matrix of modern geometric lines, the order is established to separate the spatial layer of functionality and event organization. With the transfer of glass media, inhabitants are met. Now it is not simply the design but also life culture that interprets the spirit of personality.
Artistic Conception of Light and Shadow Texture .
The vertical and horizontal dialogues remove, blur, or overlap boundaries and extend the existing texture connected with media. With the layer transfer of two spaces, functionality and event organization, leftover space has been integrated. The utilization of light and shadow, the life container of shape, material, color, and phase is created.
Transformation of Virtual and Reality .
The experience of environmental aesthetics and life aesthetics then is transformed into artistic conception, and the reshaped regional texture enables the removal of binary opposition and the possibility of diverse co-existence.
The designer attempts to initiate the dialogue between structure, materials, and instrument. The axial lines and nodes in both virtual and reality contents are hidden in the movement entrance to capture the intangible layer boundaries and to present the context of spatial sequence.


臺北王宅